Review: “If I Forget”, an eternal dispute on heritage and inheritance

If I forget thee, O Jerusalem,

let my right hand forget her cunning.

Psalm 137:5

“If I Forget”, a new play by Steven Levenson, and directed by Daniel Sullivan, at the Roundabout’s Laure Pels Theater, focuses on three siblings of Generation X. Their kids are absent physically, or too young to care (or so the siblings think), and their parents either dead or departing to the annals of history. But history is not just a silent text in a schoolbook; history is memory, history is politics, history is cultural and religious heritage. Steven Levenson masterfully braids together a family living room drama, the political atmosphere of the era, and a discussion on what it means to be a Jew in The United States today.             

photo by Joan Marcus

In the summer of 2000, three adult siblings and their spouses visit home, where they grew up, for their father’s 75th birthday. Life scattered them about, so as everybody is catching up, we find out that Michael (Jeremy Shamos), a professor of Jewish studies, is up for tenure and is working on his third book, “Forgetting the Holocaust”.

Michael says in particular, that “Israelis use the Holocaust so American Jews would support their politics in the Middle East,” and the secular world should stop producing films about the Holocaust to stop the politicized usage of history. Michael’s wife, Ellen Manning (Tasha Lawrence), is supportive of his controversial project, which, as opposed to his previous works, is aimed towards a broader audience and could actually sell some copies.

The youngest sister, Sharon Fisher (Maria Dizzia), seems to be the only religious one in the family and strongly disapproves of Michael’s point of view. She passionately argues that by writing and publishing such a book, Michael commits one of the worst sins, the betrayal of his own people and his father, who was amongst the troops liberating Dachau.

The older sister, Holly Fisher (Kate Walsh), with her husband, Howard Kilberg (Gary Wilms), try to stay distant in this argument. Holly’s attention is concentrated on another tense spot of the family’s history, a store owned by their dad, which he rents out to a family from Guatemala. Spoiled with her husband’s money, Holly is obsessed with the idea of opening her own interior design business in the family store. She emphasizes that the “Mexican bodega” owners pay unprecedentedly low rent and the building is in desperate need of renovation.             

Sharon takes a stand for the renter’s family, who has been good tenants for a long time. Besides, she has personal reasons for defending the Guatemalans and is skeptical about Holly’s enterprise, thinking that it is just a passing fancy.

There is also a third generation, represented by Seth (Joey Oren), the dim teenage son of Holly and Howard, who seems to only irritate everybody. Abby, the daughter of Michael and Ellen, is never on stage but plays an important role in the play. On the verge of descending into mental illness, she took her birth right trip to Israel and makes her father worried sick.  And that is not only because of the safety issues in the region but also because of her increasing interest in Judaism.

Pardon my lengthy exposition, but for once I am excited about the circumstance of characters from a contemporary, realistic play. “If I Forget”, by Steven Levenson, slightly dragging in the beginning, is a great family drama that unfolds against the backdrop of broader political issues. The second act of the play takes place in February of 2001, in a post-9/11 America with George Bush elected president over Al Gore.

In this chilling political climate, the atmosphere in the Fisher family heats up. Three siblings gather in the family nest again, though this time the reason is not celebratory. The patriarch of the family, Lou (Larry Bryggman), is getting increasingly worse and now three of his kids need to figure out how to pay for his care. The financial demand reveals that everybody’s lives went downhill. It also becomes evident that the three siblings have different views on what cultural and family heritage is, and what they should do with their inheritance.  

“If I Forget” opened on February 22^nd and runs through April 30^th in the Laura Pels Theatre at 111 West 46th Street, New York. Tickets are $79 and can be purchased over the phone  (212.719.1300) or online. You can also try your chance at winning $25 tickets via TodayTix app’s lottery.

Review: “Enterprise” in Brick Theater, or how to achieve a corporate American Dream

One might think that there is no duller material for a play than the daily life of office workers in some big corporation, but not in the case of “Enterprice”, written by Brian Parks and directed by Ian W. Hill, that opened in Brick Theater last weekend. Unlike quite a few TV shows, set in cubicles and conference rooms, this play focuses not on the interpersonal drama, but on the affair between a person and his/hers work. The minimalistic set consists of only four desks on a small, black-box stage.          

photo by Ian W Hill

A series of absurdist and comedic vignettes about office life, the “Enterprise” shows a day in the life of four “nine-to-fivers” trying to save their corporation from financial collapse. Four “heroes”, played by Fred Backus, Adam Files, Derrick Peterson and Alyssa Simon, spend a sleepless night at the office creating a proposal that will save the company and elevate their careers. They create coalitions, spy on each other, make a bloody sacrifice at one point and occasionally wonder off topic while imagining life on another planets or underneath the surface of the Earth.      

The brisk exchange of short lines, finishing phrases after each other, and the rapid swirl of quick scenes create the lively and compelling rhythm of an office machine, running on fear and maniacal enthusiasm. The writing of Brian Parks is sharp, precise, and it will make you chuckle and nod in recognition.

However, the question, is the “Enterprise” a good play for theater, remains. It is cartoonishly cheerful throughout and has just a bit of a “Oh my god, what I am wasting my life on?” moment in the end, which evaporates as soon as you leave the theater. With that said, I would certainly enjoy reading the “Enterprise” as a collection of short anecdotes on my commute to the office.            

“Enterprise” runs February 2-5 at 8 pm; February 9-11 at 8 pm, February 12 at 4 pm, February 13 at 8 pm; February 16-18 at 8 pm. The Brick is located at 579 Metropolitan Avenue in Williamsburg, Brooklyn, between Union and Lorimer, close to the G and L subway lines. Running time is approximately 70 minutes. Tickets are $18, available at bricktheater.com or at 866-811-4111.