Marriage
can be hard by itself, especially if it is a marriage between three people. College
English professor Julian, senior magazine editor Agnes, and elementary-school teacher
Sally, try to maintain the fragile happiness of their unconventional family in
a small town in Ohio. Add to the equation Reggie, Sally’s adult daughter and
Dale, Reggie’s boyfriend, and watch how “What We Wanted”, written by David
Harms, tightens up the tangle of human relationships. Unfortunately, the
intriguing premise didn’t live up to the expectations. Despite all the jokes
and touching moments, the play feels flat and fails to engage the
interest.
photo by Jacob J Goldberg
Drew
Foster directs the well-fitted ensemble of five in a rather restrained manner.
The reserved nature of Agnes, who comes from a clerical family, is expected.
Elizabeth Rich convincingly portrays a strong intellectual woman fighting with
chronic pain and fixing the mess left after her husband’s affairs. Amy Bodnar softly
plays the dreamy Sally. She is the girl that everybody adores and she, in turn,
tries to be kind to everybody while, at times, being harsh to herself. We get a
little glimpse of Sally’s inner world through her monologues delivered to the
audience from the edge of a darkened stage. Julian, played by Steven Hauck, remains
the character developed the least even though he must have a saturated
emotional life: from time to time he ventures into affairs outside of his
family of three, which causes a lot of inconveniences for everybody.
Despite
the changes that the family goes trough, “What We Wanted” feels even and mellow
over all. Younger characters, fiery Reggie and naive Dale, liven the show up by
bringing dynamism of a mismatched couple to the table. I would rather watch a
play centered around them, especially since the performances of both Kerry
Warren and Brandon Espinoza deliver pure and understandable emotions.
The
set design by Deb O is refreshingly minimalistic. A few monochrome pieces of furniture
are placed in a room, while the walls and floor are covered with pages of
printed material. When actors move next to the walls, the pages ripple and rustle
creating a subtle visual and auditory effect. Although the pages on the walls
look nice, it is somewhat familiar and has been seen in at least one more show
last year, The
Red Room. It is also unclear why the scenic design took this sudden surreal
twist. Does it represent the intellectual nature of the family members’
occupations? Does it refer to the poems that Agnes writes but never considers
publishing in her own magazine? Or maybe the pages are from the novel that
Julian works on?
Perhaps
by placing the action in this allegoric environment, Drew Foster tries to
elevate a living room drama to a metaphor of something bigger than just
struggles of everyday people (Well duh, isn’t that what theater does in general?)
Unfortunately the effort falls short.
"What We Wanted”
runs at the Clurman Theatre at Theatre Row (410 West 42nd Street) through Sunday,
January 15. Tickets are $22 and are available at the Theatre Row box office, by
phone (212-239-6200 or 800-432-7250) and online.
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