A revived version of Kinesis Project dance theatre’s
meditation on power and vulnerability takes place aboard a restored 1885 cargo
ship.
The 1885 cargo ship, Wavertree, is the location
and star of Secret and Seawalls by
Kinesis Project dance theatre. The show about the power and vulnerability of
both Battery Seawalls and inner structures of the human psyche premiered in
2015 and took place on the beach in Fort Tilden. This summer, the choreographer
of the piece, Melissa Riker, teamed up with South Street Seaport Museum and
included the architecture of the restored historical ship in this dance
meditation about the strength of physical and mental structures that we create
to keep our secretes safe.
The cast of Secrets and Seawalls in rehearsal |
Four
dancers: Cassandra
Cotta, Andrew Broaddus (stepping in for Zachary Denison), Michelle Amara Micc
and Zoe Alloco first appear in the distance, on Pier 11. Their silhouetted
figures dance amongst bystanders, moving leisurely from the tip of the pier to
the embankment. The ballet in the distance is accompanied by the musicians
aboard: Katie Down (glass and percussion), Michael Evans (mixed percussion) and
Helen Yee (violin and harmonica). The soothing music continues as the dancers
join the audience on the deck, mixing with a subtle traffic hum and horns of
ships passing by.
The first, more cohesive part of Secrets and Seawalls doesn’t tell much
of a story but succeeds in creating an atmosphere. The ship is gently rocking
on the waves and dancers dressed in futuristic, post-apocalyptic costumes by
Asa Thornton, explore the architecture of the space through movement. From time
to time you hear a whisper of one of the performers behind you, but then it
fades away. The magical atmosphere created by music, sounds of the environment,
and subtle movement of the ship builds up anticipation, but is never fully
realized.
For
the second act, the audience is invited to the upper deck of Wavertree and
divided in four groups, a performer attached to each of them. We play a
variation of a drinking game where each person in the circle gets to say what
they always wanted to do and why they never did it, only you eat a chip or a
piece of popcorn instead of drinking, if you agree. Sharing food and intimate
information with others creates a powerful force field, which strengthens when
a dancer whispers her secret into my ear.
But
the moment the connection is established, the dancers abandon their befriended
audiences and start interacting with each other through some kind of free
dance, occasionally violent and comedic. They mumble and accompany their
movements with sounds; at times cartoonish and at times resembling the readings
of some dry official documents. The choreography seemed disconnected from the
interactive parts, let alone the distractive rapid switch from one to another.
When
making an interactive show involving sharing secrets, you have to be mindful
about your audience in an almost therapeutic way. The Kinesis Project happened
upon a goldmine during the group experience and one-on-one dialogues, but just
disturbed the surface without bringing closure. The idea is worth developing though,
as it provides a head-spinning range of distances between the performer and
audience member. Secrets and Seawalls starts
and ends with the dance that you are watching from a great distance, but bears
little moments of intimacy in between.
__________
Secrets
and Seawalls plays
aboard the ship Wavertree, docked at Pier 15 (across from John street) through
July 30th, 2017. The running time is 70 minutes with
no intermission. Remaining performance is on July 30th at 5. Tickets are $30,
VIP tickets are $45 (includes pre-show tour of Wavertree and after show meet
and greet with the performers). Tickets are available at:
www.southstreetseaportmuseum.org/secrets-and-seawalls.
Secrets
and Seawalls is choreographed by
Melissa Riker. It is produced by Kinesis Project dance theatre. Costumes
by Asa Thornton.
The
cast is Cassandra Cotta, Andrew Broaddus (stepping in for Zachary Denison),
Michelle Amara Micca, Zoe Alloco.
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